25 Oct 2005
Before being put to death, Norma would like to say a few words -- and sing her heart out
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/10/25/DDGHTFCHCP1.DTL
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/10/25/DDGHTFCHCP1.DTL
Steven Winn, [SF Chronicle, 25 October 2005]
Moments after the heroine's hushed confession, in the final scene of "Norma" at the War Memorial Opera House, the chorus murmurs a heartsick response: "Our blood runs cold." The audience feels it right along with them. Here, in a San Francisco Opera production that has some substantial liabilities to overcome, the power of Bellini's 1831 masterpiece shines through in all its ravishing, blood-chilling complexity.