08 Oct 2005
Bluebeard and His Wives in the Age of Empowerment
http://www.nytimes.com/2005/10/08/arts/music/08aria.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2005/10/08/arts/music/08aria.html
By Anthony Tommasini [NY Times, 8 October 2005]
Pity Paul Dukas. He seems fated to be remembered only for his miraculous and ubiquitous 1897 score, "The Sorcerer's Apprentice," immortalized in Disney's "Fantasia." But in his day Dukas, who died in 1935 in Paris, was a highly respected composer, teacher and critic, though his catalog of completed works is inexplicably meager.