01 Oct 2005
Carmen can sing, but can't dance
http://www.theglobeandmail.com/servlet/ArticleNews/TPStory/LAC/20051001/CARMEN01/TPEntertainment/Music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.theglobeandmail.com/servlet/ArticleNews/TPStory/LAC/20051001/CARMEN01/TPEntertainment/Music
By Ken Winters [The Globe and Mail, 1 October 2005]
Georges Bizet's Carmen, one of the most popular operas ever written, returned to the Canadian Opera Company Thursday night, after an absence of 12 years, in an international co-production with Opéra de Montréal and the San Diego Opera. One can only wonder if this entirely admirable money-saving device backfired, turning into a case of too many cooks spoiling the broth.