03 Oct 2005
Countdown to the Eve of Destruction
http://www.nytimes.com/2005/10/03/arts/music/03atom.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2005/10/03/arts/music/03atom.html
By Anthony Tommasini [NY Times, 3 October 2005]
SAN FRANCISCO, Oct. 2 - The last person to take a bow when John Adams's "Doctor Atomic" had its momentous premiere on Saturday night at the San Francisco Opera was not the composer but Pamela Rosenberg, the outgoing general director of the company. Though it is unorthodox for an opera house administrator to appear onstage for curtain calls, here it was warranted.