20 Oct 2005
Dido and Aeneas, Majestic Theatre, Boston
http://news.ft.com/cms/s/b9f31ae2-4106-11da-b3f9-00000e2511c8.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/b9f31ae2-4106-11da-b3f9-00000e2511c8.html
[Aeneas und Dido by Honoré Daumier, 1842]
By Shirley Apthorp [Financial Times, 20 October 2005]
The three witches sport slinky mermaid dresses and carry pink buckets and spades. The chorus has beach balls; the First Sailor splashes in with a surfboard. The stage is one vast, shimmering pool. Dido, alone on her craggy island, broods her way towards inevitable tragedy.