06 Oct 2005
Shear delight
A Rossini revival enlivens the State Opera repertoire
http://www.praguepost.com/P03/2005/Art/1006/calen1.php
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.praguepost.com/P03/2005/Art/1006/calen1.php
By Frank Kuznik [Prague Post, 5 October 2005]
A staging of Il Barbiere di Siviglia (The Barber of Seville) is always cause for celebration. The most popular comic opera ever written, Il Barbiere brims with light, lively music, showcase arias and madcap plot turns — all performed at such a rapid clip that there's no time to do anything but laugh at the puns and enjoy the melodies.