30 Oct 2005
Software idea could benefit opera
http://www.news-record.com/apps/pbcs.dll/article?AID=/20051029/NEWSREC0103/510290306
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.news-record.com/apps/pbcs.dll/article?AID=/20051029/NEWSREC0103/510290306
By Marta Hummel [News-Record.com, 29 October 2005]
Opera, the highest of high art, is decidedly low-tech, at least as far as how a production is managed. Stage crews build sets without knowing an actor's height and weight. And rebuild them when Juliet turns out to be 250 pounds instead of 150.
Stage managers and bevies of assistants photocopy hundreds of pages of scores with hand-scribbled directions for lighting and sound and re-copy them when the directions change. Actors generally work from memory and hand written notes about their stage directions.