01 Oct 2005
The art of Glass
http://www.theage.com.au/news/arts/the-art-of-glass/2005/09/30/1127804648710.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.theage.com.au/news/arts/the-art-of-glass/2005/09/30/1127804648710.html
By Stephanie Bunbury [The Age, 1 October 2005]
He's one of the world's best-known composers, but could Philip Glass' greatest achievement be the way he lives his life?
Somewhere in the middle of his musical education, Philip Glass started to look for a fork in the road. In the early 1960s, when he was studying composition in Paris, every cerebral young music student worth his salt was shaking with Schoenberg, Webern and Berg, the dust-dry maestros of 12-tone.