26 Nov 2005
A Guided Tour Through the Ruin of 'Oberon'
http://www.nytimes.com/2005/11/27/arts/music/27CDreview.html
Recently in News
Latest news
Bizet’s Carmen Uncovered
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
The Operas of Sergei Prokofiev
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
Incoming Artistic Director Rosetta Cucchi announces her 2020 programme inspired by William Shakespeare and the launch of the Wexford Factory Academy for young Irish singers
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
Music In The Present Tense: Rossini’s Italian Operas in Their Time
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
The Last Opera: The Rake’s Progress in the Life of Stravinsky and Sung Drama
http://www.iupress.indiana.edu/product_info.php?products_id=809636
Prokofiev’s Soviet Operas
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
The Operas of Benjamin Britten – Expression and Evasion by Claire Seymour
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
The Opera Singer’s Acting Toolkit
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
The real Traviata. The Song of Marie Duplessis
https://h-france.net/vol18reviews/vol18no52palidda.pdf
Glyndebourne announces new Artistic Director
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
BLACK OPERA: HISTORY, POWER, ENGAGEMENT
A musical challenge to our view of the past
Die schöne Müllerin by Mark Padmore
Opera Rara - How to Rescue a Lost Opera
https://vimeo.com/operarara/how-to-rescue-an-opera
Welsh National Opera explores Madness for autumn season
New Releases from Opera Rara
A Time-Out With Isabel Leonard: In 'L'Heure Espagnole' at San Francisco Symphony
On Site Opera Presents 'Barber of Seville' at Fabbri Mansion on New York’s Upper East Side
Il Trittico: Puccini's most underrated opera
Bizet's Carmen | English National Opera
OPERA TODAY ARCHIVES »
News
By BERNARD HOLLAND [NY Times, 27 November 2005]
GERMAN civilization has had a lot to answer for in the last 200 years, but Exhibit A in its defense might be Carl Maria von Weber. No one else's music could be purer of heart and yet so unmistakably German. People confuse moral behavior and art at their peril, but Weber's last opera, "Oberon," like so much of his music, tempts us to do just that. It emits an uncomplicated humanity: an implied goodness that in our more cynical time is received with undeserved wariness.