21 Nov 2005
A Strong Dose Of Gallic Charm For This Juliet
http://www.nysun.com/article/23296
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/23296
BY GEORGE LOOMIS [NY Sun, 21 November 2005]
The premiere of the Metropolitan Opera's new production of Gounod's "Romeo et Juliette" a week ago was a palatable affair even without its star soprano, Natalie Dessay, who was laid low by a cold. Maureen O'Flynn gave a perfectly creditable performance in her stead, but there is no denying the artistic boost Ms. Dessay gave the enterprise when she joined the cast at the second performance on Thursday evening.