17 Nov 2005
Death, transcendence, beauty
http://www.sptimes.com/2005/11/17/Weekend/Death__transcendence_.shtml
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.sptimes.com/2005/11/17/Weekend/Death__transcendence_.shtml
Mezzo-soprano Krista River brings a fresh interpretation to Dvorak in the Florida Orchestra's premiere of the composer's Requiem.
By ROBERT HICKS [St. Petersburg Times, 17 November 2005]
Mezzo-soprano Krista River loves Dvorak.
"I love the sound of the Eastern European influence in his music," she said over the phone from Boston. "I really like his Requiem because I think he depicts a transcendence of death. During some of the most horrific sections of the piece, there is another layer of beauty."