14 Nov 2005
Diva in a Verismo Rarity, Chewing Imaginary Scenery
http://www.nytimes.com/2005/11/14/arts/music/14zaza.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2005/11/14/arts/music/14zaza.html
By BERNARD HOLLAND [NY Times, 14 November 2005]
"Zazà" is a lesser known but not a lesser Leoncavallo opera. Toscanini conducted the premiere in 1900, but the piece did not arrive in New York until 1920. The soprano Geraldine Farrar quickly commandeered the title role. The Metropolitan Opera gave it some 20 performances in the next three seasons; and when Farrar said goodbye to the part in 1922, "Zazà" left New York with her.