11 Nov 2005
'Fidelio' holds you captive ... but not in a good way
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/11/11/DDGD1FLR3Q1.DTL&type=performance
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/11/11/DDGD1FLR3Q1.DTL&type=performance
Joshua Kosman [SF Chronicle, 11 November 2005]
Opera doesn't get much timelier or more topical than Wednesday's opening performance of Beethoven's "Fidelio" at the San Francisco Opera. Here, as if plucked from that day's headlines, were the grim cell blocks and torture chambers where government figures pursue their secret agendas without oversight or accountability.
Sound familiar? I thought so.