08 Nov 2005
From the Opera Company, a 'Barber' to bravo
http://www.philly.com/mld/inquirer/news/magazine/daily/13108161.htm
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.philly.com/mld/inquirer/news/magazine/daily/13108161.htm
By David Patrick Stearns [Philadelphia Inquirer, 8 November 2005]
The Barber of Seville is the kind of classic that makes some opera lovers cringe in anticipation. So many times, it goes so wrong with such shticky comedy that you laugh, because not doing so compounds the embarrassment.