12 Nov 2005
The End of the Great Big American Voice
http://www.nytimes.com/2005/11/13/arts/music/13midg.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2005/11/13/arts/music/13midg.html
By ANNE MIDGETTE [NY Times, 13 November 2005]
IN March, Jennifer Wilson, an unknown 39-year-old soprano, suddenly burst onto the international opera scene by jumping in for Jane Eaglen as Brünnhilde in Wagner's "Götterdämmerung" at the Lyric Opera of Chicago, just a day after singing the same character in a rehearsal of "Die Walküre." Artistry aside, this is a stunning athletic feat. Few people today have the vocal heft and stamina to get through even one of these roles, let alone take on both back to back.