13 Dec 2005
An Intrepid Tenor Faces Un-Schubertian Obstacles
http://www.nytimes.com/2005/12/13/arts/music/13chri.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2005/12/13/arts/music/13chri.html
By ANTHONY TOMMASINI [NY Times 13 December 2005]
Ideally, Schubert's "Winterreise" should be performed without a break. The 24 songs in this 70-minute cycle trace the harrowing narrative of a young man, delirious with anguish over a lost love as he wanders amid winter weather in the outskirts of the village where the woman who rejected him lives.