01 Dec 2005
Boston Symphony/ Hunt Lieberson, Carnegie Hall
http://news.ft.com/cms/s/60eb5376-6210-11da-8470-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/60eb5376-6210-11da-8470-0000779e2340.html
By Martin Bernheimer[Financial Times, 1 December 2005]
As James Levine begins his second season on the podium of the Boston Symphony, the signs of a happy honeymoon linger. The conductor, whose beat has shrunk to Monteux- Reiner proportions, seems content to lead the orchestra, not the audience. The results invariably soar with equal parts passion and precision.