14 Dec 2005
Follower of the main story
http://news.ft.com/cms/s/4b947b7a-6c46-11da-bb53-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/4b947b7a-6c46-11da-bb53-0000779e2340.html
By Shirley Apthorp [Financial Times, 14 December 2005]
"There is no swan," says the Australian director Barrie Kosky. That is no surprise. Kosky, at his ease in Vienna's gloomy Café Sperl, sports silver rings, numerous piercings, and dark red nail polish. At his feet sits a cocker spaniel. Neither of them looks the type to take Wagner at face value.