25 Dec 2005
Great News! It's the Dawning of the Atomic Age
http://www.nytimes.com/2005/12/25/arts/music/25tomm.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2005/12/25/arts/music/25tomm.html
By ANTHONY TOMMASINI [NY Times 25 December 2005]
IT'S easy to fault the major institutions in classical music for being stodgy and averse to risk. Yet music lovers count on the leading opera companies and orchestras to be custodians of the repertory. Take the Metropolitan Opera. Recalling the first half of this season, among many rewarding nights, I'll remember James Levine's buoyant and insightful performance of Mozart's "Così Fan Tutte," with a splendid youngish cast that gave you hope for the future of Mozart singing.