23 Dec 2005
JEAN-PHILIPPE RAMEAU: THE SORCERER OF THE STAGE
http://www.goldbergweb.com/en/magazine/composers/2004/06/23332.php
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.goldbergweb.com/en/magazine/composers/2004/06/23332.php
By Olivier Rouvière. Translated by Marcia Hadjimarkos [Goldberg No. 28]
Jean-Philippe Rameau’s (1683-1764) first opera was staged when he was fifty years old; his last, written when he was over eighty, was not given until the twentieth-century.
Rameau’s aesthetics are thus characterised by maturity, density, homogeneity, and chronological clarity. His early works were already accomplished to a high degree and his operas occupied the French stage for more than thirty years, only to disappear after his death. To quote Girdlestone’s incisive summing up, Rameau wrote “more than ninety acts of dramatic music” - that is, three acts, or tableaux, a year - during the last third of his life.