07 Dec 2005
Pamela Rosenberg's time at the Opera was as full of drama as any production. What are people saying about her now?
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/12/07/DDG9QG3CCD1.DTL
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/12/07/DDG9QG3CCD1.DTL
Steven Winn [SF Chronicle, 7 December 2005]
Late last month, with her five-year tenure as general director of the San Francisco Opera winding down to its final weeks, Pamela Rosenberg spent a night in the orchestra pit during a performance of "Fidelio" at the War Memorial Opera House. The experience, as she described it, was at once thrilling and disorienting, heady and viscerally real.