16 Dec 2005
Pick of 2005: Opera
http://www.newstatesman.com/Arts/200512190045
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.newstatesman.com/Arts/200512190045
(Photo: Mike Hoban)
By Ian Irvine [New Statesman, 19 December 2005]
Giulio Cesare at Glyndebourne (and at the Proms)
A star was born. David McVicar's enormously enjoyable production of Handel's showpiece (set in an imperial imagerie d'Epinal version of Egypt) was distinguished by the British debut of the beautiful young Australian soprano Danielle de Niese. Not only did her voice easily surpass the rigorous requirements of the role of Cleopatra, but she gave, in Kenneth Tynan's term, a high-definition performance - sexy, witty, compelling - at a level rarely seen on an opera stage. The outstanding cast also featured Sarah Connolly as Caesar and a harrowing Angelika Kirchschlager as Sesto. Praise God, it's being revived next summer, when a DVD will also appear.