15 Dec 2005
Sensitive autocrat in a season of content
http://www.theaustralian.news.com.au/common/story_page/0,5744,17580597%255E16947,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.theaustralian.news.com.au/common/story_page/0,5744,17580597%255E16947,00.html
John Carmody [The Australian, 16 December 2005]
THE young woman at the ticket office of Hamburg State Opera in northern Germany has no mixed feelings about the new music director. "We all love Frau Young," she says, handing over the tickets.
When this is mentioned to Simone Young a few days later, the conductor giggles, and adds with a dash of Australian irony: "I should hope so. I'm her boss."