27 Jan 2006
Composer, and opera, are a mixed bag
http://www.newsday.com/entertainment/arts/ny-secfirst4599267jan25,0,1530554.story?coll=ny-arts-headlines
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.newsday.com/entertainment/arts/ny-secfirst4599267jan25,0,1530554.story?coll=ny-arts-headlines
BY RUSSELL PLATT [Newsday, 25 January 2006]
To his many fans, Osvaldo Golijov, the 45-year-old Argentine-Israeli-American composer, is a Schoenberg for the new millennium: at once a conservative carrier of tradition and a radical reformer who invented a new type of composition. He is also a man who enjoys entertaining an audience, as his one-act opera "Ainadamar" ("Fountain of Tears"), which began its three-performance run at Jazz at Lincoln Center's Rose Theater on Sunday afternoon, proved once more.