03 Jan 2006
Even at Concert Halls, It's Location, Location, Location
http://www.nytimes.com/2006/01/03/arts/music/03seat.html
Recently in News
Latest news
Bizet’s Carmen Uncovered
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
The Operas of Sergei Prokofiev
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
Incoming Artistic Director Rosetta Cucchi announces her 2020 programme inspired by William Shakespeare and the launch of the Wexford Factory Academy for young Irish singers
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
Music In The Present Tense: Rossini’s Italian Operas in Their Time
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
The Last Opera: The Rake’s Progress in the Life of Stravinsky and Sung Drama
http://www.iupress.indiana.edu/product_info.php?products_id=809636
Prokofiev’s Soviet Operas
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
The Operas of Benjamin Britten – Expression and Evasion by Claire Seymour
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
The Opera Singer’s Acting Toolkit
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
The real Traviata. The Song of Marie Duplessis
https://h-france.net/vol18reviews/vol18no52palidda.pdf
Glyndebourne announces new Artistic Director
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
BLACK OPERA: HISTORY, POWER, ENGAGEMENT
A musical challenge to our view of the past
Die schöne Müllerin by Mark Padmore
Opera Rara - How to Rescue a Lost Opera
https://vimeo.com/operarara/how-to-rescue-an-opera
Welsh National Opera explores Madness for autumn season
New Releases from Opera Rara
A Time-Out With Isabel Leonard: In 'L'Heure Espagnole' at San Francisco Symphony
On Site Opera Presents 'Barber of Seville' at Fabbri Mansion on New York’s Upper East Side
Il Trittico: Puccini's most underrated opera
Bizet's Carmen | English National Opera
OPERA TODAY ARCHIVES »
News
By ANNE MIDGETTE [NY Times, 3 January 2006]
Some time ago I went to a concert at Carnegie Hall that involved a lot of talking from the stage. I was pleased with the way the performer engaged audience members by talking to them between numbers, using a hand-held microphone; and the audience seemed responsive and involved. A week or so later, I spoke on the phone to a friend I had run into at the concert and asked him what he and his wife had thought of it. I wondered if they had found the approach distressingly populist. "Well," my friend said, "we liked the music; but as for the talking, we couldn't understand a single word he said."