30 Jan 2006
He Reigns In Spain
http://nymag.com/arts/classicaldance/classical/reviews/15621/index.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://nymag.com/arts/classicaldance/classical/reviews/15621/index.html
Lincoln Center opens a monthlong festival devoted to Osvaldo Golijov with Ainadamar, his transcendent opera of the Spanish Civil War.
By Peter G. Davis [New York Magazine, 6 February 2006]
Everybody loves Osvaldo Golijov right now, especially Lincoln Center, which is in the midst of a monthlong celebration of the Argentine composer and his work. In the carefully curated world of classical music, this is a pretty extraordinary tribute, usually extended only to such high-profile names as Philip Glass, Steve Reich, or John Adams, prolific senior composers with a proven track record.