30 Jan 2006
Mazeppa, Opéra national de Lyon
http://news.ft.com/cms/s/ce687c6e-9134-11da-a628-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/ce687c6e-9134-11da-a628-0000779e2340.html
By Francis Carlin [Financial Times, 30 January 2006]
Mazeppa and his henchman Orlik ride handsome steeds and Cossacks throw themselves into traditional dancing. Anna Maria Heinreich's costumes are historically accurate when the norm these days is an anarchic confusion of styles (or laziness masquerading as universal insight).