30 Jan 2006
Mozart 250 — Barbican/St Giles Cripplegate, London
http://www.guardian.co.uk/arts/reviews/story/0,,1698002,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.guardian.co.uk/arts/reviews/story/0,,1698002,00.html
Erica Jeal [The Guardian, 30 January 2006]
Where were Britain's great Mozartians on the composer's 250th birthday? That's right: Salzburg. Or Vienna, or Berlin - anywhere, in fact, but on a London concert platform. On any other day, the four concerts that made up the BBC's Mozart 250 - starting at lunchtime and continuing late into the evening - would have seemed like solid if unadventurous programming. But this was a celebration and, with the big hitters noticeable by their absence, it was critically low on glamour.