05 Jan 2006
Mozart at 250? Time for Something New
http://www.nytimes.com/2006/01/05/arts/05moza.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/01/05/arts/05moza.html
By DANIEL J. WAKIN [NY Times, 5 January 2006]
You have been specializing in Mozart for 40 years. It is the 250th-anniversary year of his birth. Your festival will bob in an ocean of Wolfgang, Wolfgang, Wolfgang concerts around the world. What to do?
The Mostly Mozart Festival's solution is to sink its tent poles into the present. This Lincoln Center festival, announcing its 2006 program yesterday, said it had commissioned four new works, three of them "inspired" by Mozart, as the foundation of the summer season.