26 Jan 2006
Music for the End of Time
http://www.thenation.com/docprem.mhtml?i=20060213&s=schiff
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.thenation.com/docprem.mhtml?i=20060213&s=schiff
David Schiff [The Nation, 25 January 2006]
As composer, organist, teacher and theorist, Olivier Messiaen (1908-1992) was the most influential European musician of the second half of the twentieth century--and yet he was in many ways far removed from his time and place. His religious beliefs were those of a pious medieval Catholic; his musical style ignored just about everything that had happened in European music between the troubadours and Wagner.