30 Jan 2006
Pros Show the Neophytes How to Stroke an Audience
http://www.nytimes.com/2006/01/30/arts/music/30horn.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/01/30/arts/music/30horn.html
By ANNE MIDGETTE [NY Times, 30 January 2006]
The standing ovation began before the concert did. When Marilyn Horne walked onto the stage on Friday night, the audience at Zankel Hall rose to its feet and stayed there, applauding.
"I suppose you've all heard by now," Ms. Horne said, as soon as she could be heard, and paused for effect. "Nathan Lane has laryngitis."