13 Feb 2006
Albert Herring, Gotham Chamber Opera, New York
http://news.ft.com/cms/s/0ad456d6-9c35-11da-8baa-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/0ad456d6-9c35-11da-8baa-0000779e2340.html
By Martin Bernheimer [Financial Times, 13 February 2006]
Albert Herring, Benjamin Britten's sweetly satirical examination of provincial smugness and personal liberation in turn-of-the-century England, has not been staged professionally in New York for 30 years. Under the circumstances, one approached the production in the Harry de Jur Playhouse on Thursday with optimism. It did not last long.