11 Feb 2006
Bonney/Martineau — St George's, Bristol
http://www.guardian.co.uk/arts/reviews/story/0,,1707334,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.guardian.co.uk/arts/reviews/story/0,,1707334,00.html
Rian Evans [The Guardian, 11 February 2006]
Soprano Barbara Bonney's mastery of the art of lieder has always been much acclaimed, her interpretative instincts matched by a natural, unforced personality and repertoire carefully chosen to offer new perspectives. This recital with pianist Malcolm Martineau had all these facets, so that Bonney fans could have their fix, even if acknowledging that the pure tone that has been her prime characteristic occasionally eluded her.