10 Feb 2006
Child's Opera According to Sendak: Send In the Bullies and Milk
http://www.nytimes.com/2006/02/10/arts/music/10send.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/02/10/arts/music/10send.html
By CHARLES McGRATH [NY Times, 10 February 2006]
If the life of Maurice Sendak were a Maurice Sendak picture book, it would open with a busy two-page spread, done in the dark, crosshatched style he has sometimes used, of a sickly, unhappy Brooklyn childhood: brooding parents, a World War II recruiting poster, a scary image of Hitler and, over in the corner, a pair of burglars scuttling away with the Lindbergh baby — an image that haunted Mr. Sendak in his early years. In Disney style, which the very young Sendak used to imitate, the kidnappers wear great big shoes with little white squares to indicate a shine.