03 Feb 2006
Concertos, Yes, but a Mozart Never Far From His Operatic Impulse
http://www.nytimes.com/2006/02/02/arts/music/02phil--extra.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/02/02/arts/music/02phil--extra.html
By ALLAN KOZINN [NY Times, 3 February 2006]
The second installment of the New York Philharmonic's three-week "Magic of Mozart" minifestival is all about concertos. In the first half of the program, on Thursday evening at Avery Fisher Hall, Jeffrey Kahane, a conductor who began his career as a pianist, played two of Mozart's meatier piano concertos — No. 17 in G and No. 20 in D minor — leading the orchestra from the keyboard. After the intermission, he moved to the podium and presided over the Sinfonia Concertante for Violin and Viola, with Michelle Kim and Rebecca Young as soloists.