15 Feb 2006
Die Frau ohne Schatten, Finnish National Opera
http://news.ft.com/cms/s/7b5292fe-9dc7-11da-b1c6-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/7b5292fe-9dc7-11da-b1c6-0000779e2340.html
By George Loomis [Financial Times, 15 February 2006]
The Woman Without a Shadow can stir an audience like no other Strauss opera, even Der Rosenkavalier. A mix of the grand and the grandiose, it attracts those who want to chew on something of Wagnerian proportions, and Hofmannstal's mysterious, symbol-laden libretto adds richness. In the end, Frau is surprisingly optimistic in celebrating humanity, which may be one reason Strauss lavished on it some of his most opulent and heartfelt music in late-romantic vein.
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