20 Feb 2006
Falstaff, Mariinsky Theatre, St Petersburg
http://news.ft.com/cms/s/db0e5e84-a1b5-11da-9ca4-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/db0e5e84-a1b5-11da-9ca4-0000779e2340.html
[Financial Times, 20 February 2006]
At the end of the Mariinsky Theatre's new production of Falstaff, a neon Coca-Cola logo appears blaring "Tutto nel mondo è burla", the text of the joyous closing fugue ("All the world is a joke"). Is it telling the fat knight to change his drinking habits? Perhaps it's too late, for he collapses and is left for dead while the others gleefully traipse off - a bizarre end to a production by the up-and- coming Moscow director Kiril Serebrennikov with more shock value than insight into Verdi's flawless comedy. One scene (sets by Nikolai Simonov) takes place in an upscale fitness centre, another in a dress shop (costumes by Olga Reznichenko).