07 Feb 2006
La clemenza di Tito Oper, Frankfurt
http://news.ft.com/cms/s/fe9e367c-977d-11da-82b7-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/fe9e367c-977d-11da-82b7-0000779e2340.html
By Shirley Apthorp [Financial Times, 7 February 2006]
The glamour of ruling is at best superficial. There are few more lonely jobs, and none where you can be less sure of your friends. Mozart makes all this painfully clear in La clemenza di Tito, his bittersweet final opera seria. The crowds praise the emperor's clemency, but you can hear Titus's rage and melancholy in every bar.