20 Feb 2006
Love conquers all — even one-eyed monsters
http://www.chron.com/disp/story.mpl/ent/arts/classicalmusic/3671092.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.chron.com/disp/story.mpl/ent/arts/classicalmusic/3671092.html
By CHARLES WARD [Houston Chronicle, 19 February 2006]
It was a big bad brute who did in Acis and Galatea in Handel's chamber opera.
Acis and Galatea was the composer's first dramatic piece in English and the work most frequently performed during his lifetime. Mercury Baroque showed why in its zestful performance Saturday at the Hobby Center's Zilkha Hall.