22 Feb 2006
Pauline Viardot: The forgotten diva
http://enjoyment.independent.co.uk/music/features/article346810.ece
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://enjoyment.independent.co.uk/music/features/article346810.ece
Pauline Viardot inspired Brahms, Berlioz and Turgenev, so why is she forgotten?
By Jessica Duchen [The Independent, 21 February 2006]
Pauline Viardot-Garcia was more than just the greatest diva of the 19th century. The Spanish-born mezzo-soprano transformed 19th-century opera and song, inspiring everyone from Berlioz to Brahms, and Clara Schumann to the young Fauré. Yet her own compositions have been virtually forgotten since her death in 1910.