09 Feb 2006
Philadelphia Orchestra/Rattle, Carnegie Hall, NY
http://news.ft.com/cms/s/501c727c-9911-11da-aa99-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/501c727c-9911-11da-aa99-0000779e2340.html
By Martin Bernheimer [Financial Times, 9 February 2006]
Simon Rattle may be something of a controversial figure on the podium of the Berlin Philharmonic. Stubborn traditionalists apparently resent the fact that he is not Herbert von Karajan, or even Claudio Abbado. But everyone seems to adore Rattle in Philadelphia.