06 Feb 2006
'Rosenkavalier' melds comedy, truth
http://www.chicagosuntimes.com/output/entertainment/cst-ftr-lyric06.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.chicagosuntimes.com/output/entertainment/cst-ftr-lyric06.html
BY WYNNE DELACOMA [Chicago Sun-Times, 6 February 2006]
The concept of "emotional truth'' has taken a beating in recent weeks.
Granted, it's not all the truth necessary for a piece of so-called nonfiction like James Frey's "memoir,'' A Million Little Pieces, but it is the heart and soul of a work of art. Why else do we look at a Degas painting, go to a Mary Zimmerman-directed play or listen to Mozart if not to learn something about ourselves and the world that mere facts can't begin to reveal?