23 Feb 2006
The Kirov's 'Parsifal': Russo-Profundo
http://www.washingtonpost.com/wp-dyn/content/article/2006/02/22/AR2006022202537.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.washingtonpost.com/wp-dyn/content/article/2006/02/22/AR2006022202537.html
By Joe Banno [Washington Post, 23 February 2006]
If "Die Meistersinger" is the Wagner opera for non-Wagnerians, "Parsifal" is the one for true believers. Uninitiated opera-goers can find "Parsifal's" daunting length and glacial pace, its half-digested Buddhism and quasi-Christian sanctimony a form of unspeakable torture. But those under the composer's spell understand the work's hypnotic pull and cathartic power -- not to mention its sheer gorgeousness.