07 Feb 2006
The Mikado — Coliseum, London
http://www.guardian.co.uk/arts/reviews/story/0,,1703675,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.guardian.co.uk/arts/reviews/story/0,,1703675,00.html
Erica Jeal [The Guardian, 7 February 2006]
The very appearance of The Mikado in ENO's current season is a topsy-turvy substitution Gilbert himself would have relished. You can just hear the conversation at English National Opera a few months ago. What, you mean our hard-hitting new opera by Asian Dub Foundation's Chandrasonic exploring Colonel Gadafy's influence on the Middle East conflict won't be ready until September? Never mind, let's roll out a spot of Gilbert and Sullivan instead.