16 Mar 2006
A Composer Bypasses the Narrative for a Philosophical Vision of Faust
http://www.nytimes.com/2006/03/15/arts/music/15faus.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/03/15/arts/music/15faus.html
(Photo: Pascal Gely / RF)
By ALAN RIDING [NY Times, 16 March 2006]
LYON, France, March 10 — Endlessly revisited over the last five centuries, the legend of Faust and his pact with the Devil may not seem like a highly original subject for Pascal Dusapin's new opera, "Faustus, the Last Night." Indeed, in the 19th century alone, Faust inspired operas by Louis Spohr, Hector Berlioz, Charles-François Gounod and Arrigo Boito.