08 Mar 2006
A Memento and a Harbinger: The Met Ponders a Crossroads
http://www.observer.com/20060313/20060313_Charles_Michener_culture_music.asp
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.observer.com/20060313/20060313_Charles_Michener_culture_music.asp
By Charles Michener [NY Observer, 13 March 2006]
Peter Gelb, who’s slated to take the helm at the Metropolitan Opera this summer, recently told a reporter that he wants to “reconnect it to the world.” A former top executive at Sony Music with a fondness for merging the divergent voices of classical, jazz and pop artists, Mr. Gelb plans to increase the number of new productions per season from four to seven; hire notable directors from film and theater to stage the novelties; commission new works from non-operatic composers; embrace new technology to transmit Met performances; and in general make the Met more sympathetic to the unwashed who are presumed to regard going to grand opera as the equivalent of a duty call on their grandmother.