07 Mar 2006
An opera's woes
http://www.philly.com/mld/inquirer/news/magazine/daily/14008503.htm
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.philly.com/mld/inquirer/news/magazine/daily/14008503.htm
By David Patrick Stearns [Philadelphia Inquirer, 5 March 2006]
Almost as soon as the curtain came down on the Philadelphia premiere of Margaret Garner, word on the street was puzzled and puzzling. One after another, people described this eagerly anticipated Opera Company of Philadelphia commission as an experience quite different from mine last spring in Detroit, where Michigan Opera Theatre gave the world premiere.