14 Mar 2006
Café Momus Gang Returns, Bidding Farewell to an Age of Innocence
http://www.nytimes.com/2006/03/14/arts/music/14bohe.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/03/14/arts/music/14bohe.html
By JEREMY EICHLER [NY Times, 14 March 2006]
Puccini's beloved bohemians returned to New York City Opera on Sunday afternoon, but this time with more on their minds than romance, poetry and the question of how to split a herring four ways on a cold Parisian night. For his production, introduced in 2001, James Robinson has punted "La Bohème" forward some 80 years, placing the action in the opening months of World War I. Soldiers parade past Café Momus, armed guards check papers in Act III, and the garret denizens drape their uniforms over Mimi to keep her warm on her deathbed.