01 Mar 2006
Cri de Coeur
http://www.metoperafamily.org/operanews/issue/article.aspx?id=1549&issueID=68
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.metoperafamily.org/operanews/issue/article.aspx?id=1549&issueID=68
Tchaikovsky’s epic nationalist drama Mazeppa has its Met broadcast premiere this month. Does the opera offer clues about its composer’s own dark nights of the soul? GRANT HAYTER-MENZIES looks at the evidence.
[Opera News, 1 March 2006]
Mazeppa is, paradoxically, an opera rich with utter loss: a father loses a daughter, then his life; a woman loses her lover, then her reason; a patriot loses his country and the woman for whom he risked everything.