07 Mar 2006
Discovering a Hidden Trove in a Little-Known Latin World
http://www.nytimes.com/2006/03/07/arts/music/07sava.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/03/07/arts/music/07sava.html
By ALLAN KOZINN [NY Times, 7 March 2006]
If your instrument is the viola da gamba, you are likely to discover composers and works that fell out of the repertory long before there was a standard canon. Jordi Savall has devoted himself to bringing this music back to life, both in his solo gamba recitals and in performances and recordings with his ensembles. On Saturday evening at the Church of St. Paul the Apostle, Mr. Savall led two of his groups — the robust chamber band, Hespèrion XXI, and the vocal ensemble, La Capella Reial de Catalunya — in a program of Spanish and Latin American Baroque works.